![]() Leave a remembrance on the memorial website. Memorial donations are suggested to the Alzheimer’s Association. Jordan also is survived by his daughters, Leslie Jordan and Jennifer Jordan a third grandchild, Fox Cashell and his nieces Julie Day, Medusa Artemis and Megan Reta. His final two works were “Night Music” and “Brief Encounters: Five Movements for Woodwind Quintet and Percussion,” which were written, respectively, for his grandchildren Emily Deguzis and Micah Gharavi, and performed as part of their own graduate thesis recitals. Contributed PALMDALE Six students from homeschool community Classical Conversations Palmdale East recently capped months of study by correctly reciting over 400 hundred facts from a multitude of subjects as part of the Classical Conversations Memory Master program. ![]() Other notable compositions include “Times Space (Encounters)” (1973) Sonata for Piano (1980), commissioned by the New Music Circle and “Songs for Li Po” (1982), commissioned by River Styx. Louis ensemble Synchronia and the Saint Louis Symphony Chamber series both presented Jordan’s “Years of the Plague,” a work marking the first 13 years of the AIDS crisis. Jordan’s major works include the evening-length “Maps” (1978), for voice and a large instrumental ensemble, which was written and presented, with sponsorship from the New Music Circle, to mark WashU’s 125th anniversary. Jordan was promoted to associate professor in 1979 and named professor emeritus in 2004. National Memory Master is a nationwide memory competition for Classical Conversations students, ages 11-12, that culminates in a national championship. National Memory Master is a nationwide memory competition for Classical Conversations® students, ages 11-12, that culminates in a national championship. His scholarship explored links between music and literature as well as the implications of phenomenological research for structuralist and post-structuralist theory, and included several articles co-written with Emma Kafalenos (PhD ’74), a senior lecturer in comparative literature in Arts & Sciences. After earning his degree, in 1973, he joined the Department of Music in Arts & Sciences as an assistant professor, teaching classes on theory, composition and 20th century music, among other topics. Jordan came to WashU as a doctoral candidate in 1968. In 1965, Jordan completed his master’s in music from the University of Pennsylvania and then joined the faculty at Auburn University. That year, he joined the Wilmington Music School in Delaware, serving as chair of theory. Born in Galveston, Texas, in 1938, Jordan earned a bachelor’s degree in music from the University of Houston in 1960.
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